Quo Fuit places 3 dated presences for Vincenzo Bellini across 3 places, from 1820 to 1830.
Each one keeps the sentence it was taken from and a link to its source.
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings.Wikipedia, full article · CC BY-SA
Every dot is a place Vincenzo Bellini is documented in, on a dated record. The interactive globe carries the full detail.
Where Vincenzo Bellini was documented, and when
January 1820month
Cataniaattested“About 50 years later, Florimo gave an account of the meeting of the two men: "Carlo Conti [one of Bellini's tutors] said to Bellini and me, "Go and hear Donizetti's La zingara, for which my admiration increases at every performance." Aft…”source: Wikipedia: Vincenzo Bellini
1830year
Milanattested“and with the greatest enthusiasm." Before leaving Venice, Bellini was offered a contract to produce another new opera for La Fenice for the 1830–31 Carnival season, and—upon his return to Milan after a reunion with Turina—he also found a…”source: Wikipedia: Vincenzo Bellini
1830year
Genoaattested“and with the greatest enthusiasm." Before leaving Venice, Bellini was offered a contract to produce another new opera for La Fenice for the 1830–31 Carnival season, and—upon his return to Milan after a reunion with Turina—he also found a…”source: Wikipedia: Vincenzo Bellini
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Other places tied to Vincenzo Bellini in the record
In each of these, a source puts Vincenzo Bellini and the place in the same dated sentence without stating
that Vincenzo Bellini was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
1809year
Teatro di San Carlomentioned“Following the presentation of Adelson e Salvini and while he was in Milan, Bellini—requesting help from Florimo—began to make some revisions, shortening the opera to two acts in the hope that it might be given stagings by Domenico Barbaj…”source: Wikipedia: Vincenzo Bellini
1809year
Milanmentioned“Following the presentation of Adelson e Salvini and while he was in Milan, Bellini—requesting help from Florimo—began to make some revisions, shortening the opera to two acts in the hope that it might be given stagings by Domenico Barbaj…”source: Wikipedia: Vincenzo Bellini
1818 to 1825period
Venicementioned“The tentative contract deadline was extended until 20 January, but by that date Romani was in Venice, having already re-worked much of his earlier libretto which he had written for Nicola Vaccai's 1825 opera, Giulietta e Romeo, the sourc…”source: Wikipedia: Vincenzo Bellini
May 1819month
Music conservatories of Naplesmentioned“This was successfully achieved in May 1819 with unanimous agreement for a four-year pension to allow him to study at the Real Collegio di Musica di San Sebastiano in Naples.”source: Wikipedia: Vincenzo Bellini
May 1819month
Naplesmentioned“This was successfully achieved in May 1819 with unanimous agreement for a four-year pension to allow him to study at the Real Collegio di Musica di San Sebastiano in Naples.”source: Wikipedia: Vincenzo Bellini
1820year
Kingdom of Sicilymentioned“The young composer chose Domenico Gilardoni, a young writer who then prepared his first libretto, which he named Bianca e Fernando, based on an 1820 play, Bianca e Fernando alla tomba di Carlo IV, Duca d'Agrigento and set in Sicily.”source: Wikipedia: Vincenzo Bellini
1823year
Naplesmentioned“Besides this melodious work, his output from these study years in Naples included two other settings of the Mass: a full Ordinary in E Minor and a second full Ordinary in G Minor, both of which probably date from 1823.”source: Wikipedia: Vincenzo Bellini
January 1824month
Teatro di San Carlomentioned“By January 1824, after passing examinations in which he did well, he attained the title primo maestrino, requiring him to tutor younger students and allowing him a room of his own in the collegio and visits to the Teatro di San Carlo on…”source: Wikipedia: Vincenzo Bellini
30 May 1826exact date
Teatro di San Carlomentioned“After some delays caused by King Francesco I forcing postponement, the opera—now named Bianca e Gernando—was given its premiere performance at the Teatro di San Carlo on 30 May 1826, Prince Ferdinando's name day.”source: Wikipedia: Vincenzo Bellini
March 1827month
La Scalamentioned“Within nine months, in February/March 1827, Domenico Barbaja offered Bellini a commission for an opera to be presented in the autumn of 1827 at La Scala in Milan, of which between 1821 and 1832, Barbaja was also part of the management.”source: Wikipedia: Vincenzo Bellini
1828year
Genoamentioned“It was with Giuditta Turina that he began an affair in 1828 during the premiere performances of Bianca e Fernando in Genoa.”source: Wikipedia: Vincenzo Bellini
February 1828month
Naplesmentioned“After its Milanese debut, the opera received very successful performances in Vienna in February 1828 and also in Naples three months later.”source: Wikipedia: Vincenzo Bellini
February 1828month
Viennamentioned“After its Milanese debut, the opera received very successful performances in Vienna in February 1828 and also in Naples three months later.”source: Wikipedia: Vincenzo Bellini
June 1828month
Milanmentioned“45 years later it was stated that "Bellini's style was abstruse, discontinuous, distorted, and lacking in distinction, that it alternated among the serio and the buffo and the semi-serio..." Zaira was the opera which came into being foll…”source: Wikipedia: Vincenzo Bellini
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
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