Quo Fuit places 4 dated presences for Lorenzo Lotto across 2 places, from 1503 to 1542.
Each one keeps the sentence it was taken from and a link to its source.
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities.Wikipedia, full article · CC BY-SA
Every dot is a place Lorenzo Lotto is documented in, on a dated record. The interactive globe carries the full detail.
Where Lorenzo Lotto was documented, and when
1503 to 1556period
Veniceattested“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1503 to 1556period
Trevisoattested“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1542 to 1545period
Veniceattested“He moved again to Treviso in 1542 and back to Venice in 1545.”source: Wikipedia: Lorenzo Lotto
1542 to 1545period
Trevisoattested“He moved again to Treviso in 1542 and back to Venice in 1545.”source: Wikipedia: Lorenzo Lotto
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In each of these, a source puts Lorenzo Lotto and the place in the same dated sentence without stating
that Lorenzo Lotto was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
1503 to 1556period
Marchementioned“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1503 to 1556period
Romementioned“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1503 to 1556period
Bergamomentioned“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1503 to 1556period
Loreto (AN)mentioned“Born in Venice, he worked in Treviso (1503–1506); in the Marche (1506–1508); in Rome (1508–1510); in Bergamo (1513–1525); in Venice (1525–1549); in Ancona (1549), and finally, as a Franciscan lay brother, in Loreto (1549–1556).”source: Wikipedia: Lorenzo Lotto
1505year
National Museum of Capodimontementioned“The already mentioned painting Allegory of Virtue and Vice was intended as an allegorical cover of his portrait (1505) of the bishop (now in National Museum of Capodimonte in Naples), who had survived an assassination attempt.”source: Wikipedia: Lorenzo Lotto
1505year
Naplesmentioned“The already mentioned painting Allegory of Virtue and Vice was intended as an allegorical cover of his portrait (1505) of the bishop (now in National Museum of Capodimonte in Naples), who had survived an assassination attempt.”source: Wikipedia: Lorenzo Lotto
1508year
Krakówmentioned“1508) in the National Museum in Kraków with Catherine Cornaro, Queen of Cyprus portraited as Saint Catherine, are paintings from this period.”source: Wikipedia: Lorenzo Lotto
1511year
Recanatimentioned“In 1511 he was at work for the confraternity of the Buon Gesù in Jesi, painting an Entombment (Pinacoteca Civica, Jesi); soon after he was painting altarpieces in Recanati: a Transfiguration (c.1512, now in the Pinacoteca Comunale, Recan…”source: Wikipedia: Lorenzo Lotto
1511year
Jesimentioned“In 1511 he was at work for the confraternity of the Buon Gesù in Jesi, painting an Entombment (Pinacoteca Civica, Jesi); soon after he was painting altarpieces in Recanati: a Transfiguration (c.1512, now in the Pinacoteca Comunale, Recan…”source: Wikipedia: Lorenzo Lotto
1513year
Bergamomentioned“He began 1513 with a monumental altarpiece: the "Martinengo Altarpiece" in the Dominican church of the Santi Bartolomeo e Stefano in Bergamo.”source: Wikipedia: Lorenzo Lotto
1523year
Venicementioned“In 1523 he went for a brief stay in the Marche, obtaining there several commissions for altarpieces, which he would paint during his stay in Venice.”source: Wikipedia: Lorenzo Lotto
1523year
Marchementioned“In 1523 he went for a brief stay in the Marche, obtaining there several commissions for altarpieces, which he would paint during his stay in Venice.”source: Wikipedia: Lorenzo Lotto
1524year
Bergamomentioned“In 1524 he also painted cartoons with Old Testament stories, as models for the intarsia panels for the choir stalls of Santa Maria Maggiore in Bergamo.”source: Wikipedia: Lorenzo Lotto
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
Sentences quoted from Wikipedia are available under CC BY-SA 4.0. Public domain books come from
Project Gutenberg. Quo Fuit claims no rights over these sources.
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