Quo Fuit places 3 dated presences for Giovanni Lanfranco across 2 places, from 1611 to 1647.
Each one keeps the sentence it was taken from and a link to its source.
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian Baroque painter.Wikipedia, full article · CC BY-SA
Every dot is a place Giovanni Lanfranco is documented in, on a dated record. The interactive globe carries the full detail.
Where Giovanni Lanfranco was documented, and when
1611year
Piacenzaattested“His works suggest some influence from the late work of Ludovico Carracci, a cousin of Agostino and Annibale, and possibly from Caravaggioas, for example, in the altarpiece depicting the Inspiration of Saint Luke at Piacenza (1611)though…”source: Wikipedia: Giovanni Lanfranco
1612year
Romeattested“After his return to Rome by 1612, Lanfranco competed with other Carracci students and assistantsincluding Reni, Albani, and Domenichinofor Roman patronage.”source: Wikipedia: Giovanni Lanfranco
1647year
Romeattested“He died in Rome in 1647, where his last work was apse of San Carlo ai Catinari.”source: Wikipedia: Giovanni Lanfranco
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Other places tied to Giovanni Lanfranco in the record
In each of these, a source puts Giovanni Lanfranco and the place in the same dated sentence without stating
that Giovanni Lanfranco was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
1602year
Palazzo Farnesementioned“When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.”source: Wikipedia: Giovanni Lanfranco
1602 to 1607period
San Giacomo degli Spagnolimentioned“Afterwards, while still technically a member of the Carracci studio of Carracci, Lanfranco, along with Guido Reni and Francesco Albani, frescoed the Herrera (San Diego) Chapel in San Giacomo degli Spagnoli (1602–1607).”source: Wikipedia: Giovanni Lanfranco
1605year
Camerinomentioned“By 1605, Lanfranco was obtaining some independent commissions; for example, he contributed paintings to the Camerino degli Eremiti in the Palazzetto Farnese (also known as Casino della Morte), once a low building on the Via Giulia, adjac…”source: Wikipedia: Giovanni Lanfranco
1612year
Piacenzamentioned“1612; Naples, Museo di Capodimonte) for San Lorenzo in Piacenza, is stylistically the most Emilian of the altarpieces; in its use of colour, in the light-filled, diaphanous garments, in the clouds and in the flesh tones, it is strongly i…”source: Wikipedia: Giovanni Lanfranco
1615year
San Carlo ai Catinarimentioned“His Annunciation (1615) in San Carlo ai Catinari in regarded as one of his best works.”source: Wikipedia: Giovanni Lanfranco
1616year
Basilica of Sant'Agostinomentioned“Lanfranco's studio became quite active, painting frescoes in the Palazzo Mattei and decorating the Buongiovanni Chapel in Sant'Agostino (1616), which includes a Correggesque Assumption, along with easel paintings.”source: Wikipedia: Giovanni Lanfranco
1622year
Cortonamentioned“In 1622, he painted the Ectasy of Saint Margaret of Cortona (Galleria Platina, Palazzo Pitti, Florence) as an altarpiece for Santa Maria Nuova in Cortona, where Margaret lived and died.”source: Wikipedia: Giovanni Lanfranco
1623 to 1624period
Romementioned“In 1623–1624, he decorated the Sacchetti Chapel in San Giovanni dei Fiorentini in Rome.”source: Wikipedia: Giovanni Lanfranco
1623 to 1624period
San Giovanni dei Fiorentinimentioned“In 1623–1624, he decorated the Sacchetti Chapel in San Giovanni dei Fiorentini in Rome.”source: Wikipedia: Giovanni Lanfranco
1631year
Romementioned“In 1631, Lanfranco was named Prince (Principe) of the Academy of Saint Luke, the artist's guild in Rome.”source: Wikipedia: Giovanni Lanfranco
1634 to 1646period
Naplesmentioned“From 1634 to 1646, Lanfranco began decorating the dome and pendentives of the Jesuit church of the Gesù Nuovo in Naples in 1634–1637.”source: Wikipedia: Giovanni Lanfranco
1638 to 1646period
Cathedral of Naplesmentioned“This was followed by the decoration of Santi Apostoli in 1638–1646 and the dome of the Cappella of San Gennaro in the Cathedral of Naples.”source: Wikipedia: Giovanni Lanfranco
Two people documented in the same place in the same year is a correlation, not a meeting.
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How to read this page
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
Sentences quoted from Wikipedia are available under CC BY-SA 4.0. Public domain books come from
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