Quo Fuit places 7 dated presences for Félicien Rops across 5 places, from 1833 to 1870.
Each one keeps the sentence it was taken from and a link to its source.
Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism, Decadence, and the Parisian, a member of the Les XX group.Wikipedia, full article · CC BY-SA
Every dot is a place Félicien Rops is documented in, on a dated record. The interactive globe carries the full detail.
Where Félicien Rops was documented, and when
7 July 1833exact date
Namurattested“Rops was born 7 July 1833 in Namur, Belgium, the only child of Sophie Maubile and Nicholas Rops.”source: Wikipedia: Félicien Rops
1851year
Brusselsattested“In 1851, Rops moved to Brussels and began studying law at the University of Brussels.”source: Wikipedia: Félicien Rops
1862year
Parisattested“In 1862, he studied etching with Félix Bracquemond and Jules Ferdinand Jacquemart in Paris and he became a restless experimenter with etching techniques.”source: Wikipedia: Félicien Rops
1862 to 1863period
Warsawattested“1862) lithograph (29.53 x 22.07 cm) Los Angeles County Museum of Art File:Rops Varsovie.jpeg|Order Reigns in Warsaw (1863) lithograph (36.4 x 29.7) File:Rops, The Right to Rest, The Right to Work (no date) etching (ca.”source: Wikipedia: Félicien Rops
11 May 1865exact date
Belgiumattested“In a letter to Édouard Manet (11 May 1865) Baudelaire wrote, "Rops is the only true artist (in the sense in which I, and perhaps I alone, understand the word artist), that I have found in Belgium." By 1866 Baudelaire and Poulet-Malassis…”source: Wikipedia: Félicien Rops
1868year
Brusselsattested“The Société Libre des Beaux-Arts (Free Society of Fine Arts) in Brussels was founded in 1868 and Rops served as vice-president for several years.”source: Wikipedia: Félicien Rops
1870year
Parisattested“By 1870 Rops had made many friends and was living in Paris most of the year and immersed at the heart of literary Paris and the Symbolist and Decadent movements.”source: Wikipedia: Félicien Rops
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In each of these, a source puts Félicien Rops and the place in the same dated sentence without stating
that Félicien Rops was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
June 1849month
Namurmentioned“After some disagreements between Rops and his mother over the direction of his future education, a compromise was reached, and in June 1849 he enrolled at the Athénée secondary school in Namur while simultaneously attending the Academy o…”source: Wikipedia: Félicien Rops
20 November 1853exact date
Antwerpmentioned“issue #40, 20 November 1853) and a series of thematically unified, but otherwise unrelated humorous episodes at the Antwerp Zoo Promenade au Jardin Zoologique.”source: Wikipedia: Félicien Rops
1858year
French Third Republicmentioned“One cartoon in particular, 'La Médaille de Waterloo' (1858), depicting a decrepit, peg legged likeness of Napoléon Bonaparte on a medal, guarded by his devotee's from a hoard of skeletons rising from the dead, (in criticism of those who…”source: Wikipedia: Félicien Rops
March 1866month
Namurmentioned“It was while visiting Namur, in March 1866, that Baudelaire's first symptoms of aphasia and hemiplegia became apparent.”source: Wikipedia: Félicien Rops
1877year
French Third Republicmentioned“Rops was prolific and achieved financial success, boasting in 1877 that "he was the best-paid illustrator in France." He traveled extensively throughout Europe, ranging from the capital cities and art centers, to salmon fishing in Norway…”source: Wikipedia: Félicien Rops
1877year
Norwaymentioned“Rops was prolific and achieved financial success, boasting in 1877 that "he was the best-paid illustrator in France." He traveled extensively throughout Europe, ranging from the capital cities and art centers, to salmon fishing in Norway…”source: Wikipedia: Félicien Rops
1877year
Hungarymentioned“Rops was prolific and achieved financial success, boasting in 1877 that "he was the best-paid illustrator in France." He traveled extensively throughout Europe, ranging from the capital cities and art centers, to salmon fishing in Norway…”source: Wikipedia: Félicien Rops
29 July 1881exact date
French Third Republicmentioned“Laws granting the freedom of the press in France were passed on 29 July 1881 and a second edition of the book was planned by the publisher, Alphonse Lemerre, who thought Rops was ideally suited to illustrate the new edition.”source: Wikipedia: Félicien Rops
1896year
Anseremmementioned“Carlos Museum, Emory University, Atlanta File:Felicien Rops, The Kitchen of the Artists' Inn, in Anseremme (no date) etching (19.05 x 13.81 cm) Los Angeles County Museum of Art.tif|The Kitchen of the Artists' Inn, in Anseremme (no date)…”source: Wikipedia: Félicien Rops
July 1896month
Belgiummentioned“With his health slowly deteriorating and anticipating legal challenges from his estranged wife Charlotte, his son Paul, and father-in-law, a judge in Belgium, he made a will in July 1896 leaving everything to the Duluc sisters.”source: Wikipedia: Félicien Rops
Two people documented in the same place in the same year is a correlation, not a meeting.
Quo Fuit will never say they met without a source that says so.
How to read this page
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
Sentences quoted from Wikipedia are available under CC BY-SA 4.0. Public domain books come from
Project Gutenberg. Quo Fuit claims no rights over these sources.
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where the two overlap.