Quo Fuit places 4 dated presences for Carlo Crivelli across 3 places, from 1430 to 1495.
Each one keeps the sentence it was taken from and a link to its source.
Carlo Crivelli was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna.Wikipedia, full article · CC BY-SA
Every dot is a place Carlo Crivelli is documented in, on a dated record. The interactive globe carries the full detail.
Where Carlo Crivelli was documented, and when
1430year
Veniceattested“Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua.”source: Wikipedia: Carlo Crivelli
1430year
Paduaattested“Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua.”source: Wikipedia: Carlo Crivelli
1457 to 1459period
Veniceattested“He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after being sentenced in 1457 to a six-month prison term for an affair…”source: Wikipedia: Carlo Crivelli
1495year
Marcheattested“Carlo Crivelli died in the Marche (probably Ascoli Piceno) around 1495.”source: Wikipedia: Carlo Crivelli
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In each of these, a source puts Carlo Crivelli and the place in the same dated sentence without stating
that Carlo Crivelli was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
1457 to 1459period
Dalmatiamentioned“He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after being sentenced in 1457 to a six-month prison term for an affair…”source: Wikipedia: Carlo Crivelli
1468 to 1493period
Fermomentioned“The dates he signed on the pictures that survive extend from 1468 on an altarpiece in the church of San Silvestro at Massa Fermana near Fermo to 1493 on The Dead Christ between St John, the Virgin and Mary Magdalene in Milan's Brera Gall…”source: Wikipedia: Carlo Crivelli
1468 to 1493period
Massa Fermanamentioned“The dates he signed on the pictures that survive extend from 1468 on an altarpiece in the church of San Silvestro at Massa Fermana near Fermo to 1493 on The Dead Christ between St John, the Virgin and Mary Magdalene in Milan's Brera Gall…”source: Wikipedia: Carlo Crivelli
1473year
Ascoli Picenomentioned“Of his early polyptychs, only one, the altarpiece from Ascoli Piceno, dated 1473, survives in its entirety in its original frame, and still in its original location (the city's Cathedral).”source: Wikipedia: Carlo Crivelli
How to read this page
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
Sentences quoted from Wikipedia are available under CC BY-SA 4.0. Public domain books come from
Project Gutenberg. Quo Fuit claims no rights over these sources.
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