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Bernardo Bellotto

1721 to 1780 4 documented presences 4 places

Quo Fuit places 4 dated presences for Bernardo Bellotto across 4 places, from 1761 to 1780. Each one keeps the sentence it was taken from and a link to its source.

Bernardo Bellotto ( or 30 January 1721 to 17 November 1780), was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities – Dresden, Vienna, Turin, and Warsaw.Wikipedia, full article · CC BY-SA
Every dot is a place Bernardo Bellotto is documented in, on a dated record. The interactive globe carries the full detail.

Where Bernardo Bellotto was documented, and when

1761year
Viennaattested “In 1761 Bellotto left Vienna for Munich, where he spent almost a year.” source: Wikipedia: Bernardo Bellotto
1763year
Dresdenattested “When King Augustus III of Poland, also Elector of Saxony, who usually lived in Dresden, died in 1763, Bellotto's work became less important in Dresden.” source: Wikipedia: Bernardo Bellotto
1780year
Warsawattested “Bernardo Bellotto died in Warsaw in 1780 and was buried in Capuchin Church at Miodowa Street.” source: Wikipedia: Bernardo Bellotto
1780year
Miodowa Streetattested “Bernardo Bellotto died in Warsaw in 1780 and was buried in Capuchin Church at Miodowa Street.” source: Wikipedia: Bernardo Bellotto

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Places Bernardo Bellotto is documented in

Dresden1 presence · 1763Vienna1 presence · 1761Warsaw1 presence · 1780
Miodowa Street1 presence · 1780

Other places tied to Bernardo Bellotto in the record

In each of these, a source puts Bernardo Bellotto and the place in the same dated sentence without stating that Bernardo Bellotto was there. They are kept apart from the timeline above for exactly that reason: a mention is not a presence, and Quo Fuit does not quietly promote one into the other.

1742year
Romementioned “In 1742 he moved to Rome, where he produced vedute of that city.” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
Venicementioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
Dresdenmentioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
Turinmentioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
Powis Castlementioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
National Gallery of Scotlandmentioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1742 to 1747period
Veronamentioned “* The Grand Canal facing Santa Croce () National Gallery * Piazza san Marco, , Cleveland (Ohio), Cleveland Museum of Art * The Grand Canal in Venice () Musée des Beaux-Arts de Lyon * Capriccio with the Campidoglio () Galleria Nazionale d…” source: Wikipedia: Bernardo Bellotto
1747 to 1758period
Dresdenmentioned “From 1747 to 1758 he moved to Dresden, following an invitation from King Augustus III of Poland.” source: Wikipedia: Bernardo Bellotto
1750 to 1752period
Dresdenmentioned “1750) Pinacoteca Giovanni e Marella Agnelli, Turin * View of Dresden with the Frauenkirche (1750–1752) Gemäldegalerie Alte Meister, Dresden * Square with the Kreuzkirche in Dresden (1751–1752) Hermitage Museum, St Petersburg * Marketplac…” source: Wikipedia: Bernardo Bellotto
1750 to 1752period
Pirnamentioned “1750) Pinacoteca Giovanni e Marella Agnelli, Turin * View of Dresden with the Frauenkirche (1750–1752) Gemäldegalerie Alte Meister, Dresden * Square with the Kreuzkirche in Dresden (1751–1752) Hermitage Museum, St Petersburg * Marketplac…” source: Wikipedia: Bernardo Bellotto
1758year
Viennamentioned “His international reputation grew, and in 1758 he accepted an invitation from Empress Maria Theresa to come to Vienna, where he painted views of the city's monuments.” source: Wikipedia: Bernardo Bellotto
1758 to 1780period
Warsawmentioned “1765) Kunstmuseum Zürich, Switzerland * The Fortress of Königstein: Courtyard with the Brunnenhaus Manchester Art Gallery * The Fortress of Königstein: Courtyard with the Magdalenenburg Manchester Art Gallery * The Fortress of Königstein…” source: Wikipedia: Bernardo Bellotto
1758 to 1780period
Vistulamentioned “1765) Kunstmuseum Zürich, Switzerland * The Fortress of Königstein: Courtyard with the Brunnenhaus Manchester Art Gallery * The Fortress of Königstein: Courtyard with the Magdalenenburg Manchester Art Gallery * The Fortress of Königstein…” source: Wikipedia: Bernardo Bellotto
1761year
Dresdenmentioned “At the end of 1761, Bellotto returned to Dresden.” source: Wikipedia: Bernardo Bellotto
1764 to 1768period
Warsawmentioned source: Wikipedia: Bernardo Bellotto
1764 to 1768period
Saint Petersburgmentioned source: Wikipedia: Bernardo Bellotto
1764 to 1768period
Polandmentioned source: Wikipedia: Bernardo Bellotto
1770year
Warsawmentioned source: Wikipedia: Bernardo Bellotto
1770year
Russiamentioned source: Wikipedia: Bernardo Bellotto

How to read this page

Every line above is a dated fact taken from a source, with the sentence it came from and a link back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.

A tag says how the fact is carried by its source: documented a structured, explicitly dated record, attested a sentence that states the person was there, mentioned a sentence that ties the person to the place without stating presence.

Sources

Sentences quoted from Wikipedia are available under CC BY-SA 4.0. Public domain books come from Project Gutenberg. Quo Fuit claims no rights over these sources.

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