Quo Fuit places 5 dated presences for Baldassare Galuppi across 3 places, from 1728 to 1776.
Each one keeps the sentence it was taken from and a link to its source.
Baldassare Galuppi (18 October 1706 to 3 January 1785) was a Venetian composer, born on the island of Burano in the Venetian Republic.Wikipedia, full article · CC BY-SA
Every dot is a place Baldassare Galuppi is documented in, on a dated record. The interactive globe carries the full detail.
Where Baldassare Galuppi was documented, and when
1728year
Veniceattested“On his return to Venice in 1728, he produced a second opera, Gl'odi delusi dal sangue, written in collaboration with another Lotti pupil, Giovanni Battista Pescetti; it was well received when it was presented at the Teatro San Angelo.”source: Wikipedia: Baldassare Galuppi
Veniceattested“Burney wrote, "He now copied the hasty, light and flimsy style which reigned in Italy at this time, and which Handel's solidity and science had taught the English to despise." On his return to Venice in May 1743, Galuppi returned to his…”source: Wikipedia: Baldassare Galuppi
May 1743month
Italyattested“Burney wrote, "He now copied the hasty, light and flimsy style which reigned in Italy at this time, and which Handel's solidity and science had taught the English to despise." On his return to Venice in May 1743, Galuppi returned to his…”source: Wikipedia: Baldassare Galuppi
1776year
Veniceattested“On his return to Venice, Galuppi resumed his duties at St Mark's and successfully applied for reappointment at the Incurabili, holding the post until 1776, when financial constraints obliged all the ospedali to cut back their musical act…”source: Wikipedia: Baldassare Galuppi
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Other places tied to Baldassare Galuppi in the record
In each of these, a source puts Baldassare Galuppi and the place in the same dated sentence without stating
that Baldassare Galuppi was there. They are kept apart from the timeline above for exactly that reason:
a mention is not a presence, and Quo Fuit does not quietly promote one into the other.
1726 to 1728period
Teatro della Pergolamentioned“From 1726 to 1728, Galuppi was harpsichordist at the Teatro della Pergola in Florence.”source: Wikipedia: Baldassare Galuppi
1726 to 1728period
Florencementioned“From 1726 to 1728, Galuppi was harpsichordist at the Teatro della Pergola in Florence.”source: Wikipedia: Baldassare Galuppi
1728year
Teatro San Angelomentioned“On his return to Venice in 1728, he produced a second opera, Gl'odi delusi dal sangue, written in collaboration with another Lotti pupil, Giovanni Battista Pescetti; it was well received when it was presented at the Teatro San Angelo.”source: Wikipedia: Baldassare Galuppi
1740year
Venicementioned“In 1740, Galuppi was appointed "maestro di coro" at the Ospedale dei Mendicanti in Venice, where his duties ranged from teaching and conducting to composing liturgical music and oratorios.”source: Wikipedia: Baldassare Galuppi
1744year
Naplesmentioned“Full-length comic operas from Naples and Rome were becoming fashionable; Galuppi adapted three of them for Venetian audiences in 1744, and the following year composed one of his own, La forza d'amore, which was only a mild success.”source: Wikipedia: Baldassare Galuppi
April 1762month
Venicementioned“Of the British premiere of Il filosofo di campagna in 1761 Burney wrote, "This burletta surpassed in musical merit all the comic operas that were performed in England, till the Buona Figliuola." In April 1762 Galuppi was appointed to the…”source: Wikipedia: Baldassare Galuppi
April 1762month
Ospedale degli Incurabili, Venicementioned“Of the British premiere of Il filosofo di campagna in 1761 Burney wrote, "This burletta surpassed in musical merit all the comic operas that were performed in England, till the Buona Figliuola." In April 1762 Galuppi was appointed to the…”source: Wikipedia: Baldassare Galuppi
April 1762month
Englandmentioned“Of the British premiere of Il filosofo di campagna in 1761 Burney wrote, "This burletta surpassed in musical merit all the comic operas that were performed in England, till the Buona Figliuola." In April 1762 Galuppi was appointed to the…”source: Wikipedia: Baldassare Galuppi
1764year
Saint Petersburgmentioned“Early in 1764 Catherine the Great of Russia made it known through diplomatic channels that she wished Galuppi to come to Saint Petersburg as her court composer and conductor.”source: Wikipedia: Baldassare Galuppi
22 September 1765exact date
Saint Petersburgmentioned“Bach in Berlin and encountering Giacomo Casanova by chance outside of Riga, before arriving in Saint Petersburg on 22 September 1765.”source: Wikipedia: Baldassare Galuppi
22 September 1765exact date
Berlinmentioned“Bach in Berlin and encountering Giacomo Casanova by chance outside of Riga, before arriving in Saint Petersburg on 22 September 1765.”source: Wikipedia: Baldassare Galuppi
1768year
Venicementioned“Mark's in Venice." In 1768, as had been agreed, he returned to Venice, detouring again on his journey, this time to visit Johann Adolph Hasse in Vienna.”source: Wikipedia: Baldassare Galuppi
1768year
Viennamentioned“Mark's in Venice." In 1768, as had been agreed, he returned to Venice, detouring again on his journey, this time to visit Johann Adolph Hasse in Vienna.”source: Wikipedia: Baldassare Galuppi
1771year
Venicementioned“Burney, who visited him in Venice, wrote in 1771: Galuppi told Burney his definition of good music: vaghezza, chiarezza, e buona modulazione (beauty, clearness, and good modulation)".”source: Wikipedia: Baldassare Galuppi
Two people documented in the same place in the same year is a correlation, not a meeting.
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How to read this page
Every line above is a dated fact taken from a source, with the sentence it came from and a link
back to it. Nothing is inferred, and a gap in the record is not evidence that someone was elsewhere.
A tag says how the fact is carried by its source: documented a structured,
explicitly dated record, attested a sentence that states the person was there,
mentioned a sentence that ties the person to the place without stating presence.
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